your money, your life, your choice | fashion & CO2

It’s really about bringing everyone together as an industry, and instead of having a few people talk about it, it’s having everyone talk about it and the leaders… actually taking responsibility, putting our money where our mouth is and making an amazing change together.”

Stella McCartney, founder of eponymous fashion company and brand

Consumers, investors, and the fashion industry, when deciding how to spend and where to put their money, are demonstrating a commitment to changing lifestyle choices, changing behaviors, redefining value, reducing emissions of atmospheric CO2 and greenhouse gases, and mitigating human-induced climate change.

The broader textile, clothing and fashion industry have worked during 2018 to specify ways in which, drawing on methodologies from the Science-Based Targets Initiative, they can direct themselves towards a holistic commitment to climate action, achieving net-zero emissions of atmospheric CO2 and greenhouse gases by 2050, while expanding economic opportunity and driving economic competitiveness and innovation.

The apparel and footwear industries together accounted in 2016 for an estimated 8.1% of global climate impacts with emissions of 3,990 million metric tons CO2eq (including emissions generated by processes used for raw material extraction, raw material processing, manufacturing, assembly, packaging production, transportation/distribution, and end-of-life).

The Ellen Macarthur Foundation estimates that “if nothing changes, by 2050 the fashion industry will use up a quarter of the world’s carbon budget.”

It’s really about bringing everyone together as an industry, and instead of having a few people talk about it, it’s having everyone talk about it and the leaders… actually taking responsibility, putting our money where our mouth is and making an amazing change together.”

So observes Stella McCartney while attending an 11 December gala dinner hosted in London by Bloomberg and Vanity Fair. The gala was held to highlight fashion, climate change, climate change mitigation, and the Fashion Industry Charter for Climate Change Action, signed in early December.

There is no shortage of capital in the world that wants to go in this direction. The hearts and minds argument of the common man on the street, has been won. My feeling is that what the financial services business needs to do, is to be working with the real innovative companies of today,” said David Fass, Macquarie Group CEO for Europe the Middle East and Africa.

The founding signatories to the Fashion Industry Charter for Climate Change Action are: adidas, Aquitex, Arcteryx, Burberry Limited, Esprit, Guess, Gap Inc., H&M Group, Hakro Gmbh., Hugo Boss, Inditex, Kering Group, Lenzing AG, Levi Strauss & Co., Mammut Sports Group AG, Mantis World, Maersk, Otto Group, Pidigi S.P.A, PUMA SE, re:newcell, Schoeller Textiles AG, Peak Performance, PVH Corp., Salomon, Skunkfunk, SLN Textil, Stella McCartney, Sympatex Technologies, Target and Tropic Knits Group.

Fashion Industry Charter for Climate Change Action, excerpts:

· the Paris Agreement represents a global response to the scientific consensus that human activity is causing global average temperatures to rise at unprecedented rates

· goals agreed in the Paris Agreement translate to reaching climate neutrality [read: reduced to zero emissions of atmospheric CO2 and other greenhouse gases from sourcing, manufacturing, distribution, use, and end-of-life of materials and products; reduced to zero use of hydrocarbon-based sources of energy in operations, manufacturing, distribution, retail, transport, etc.] in the second half of the twenty-first century. The fashion industry, as a major global player, needs to take an active part in contributing to the realization of these goals

· all companies, within fashion, retail and textile global value chain, regardless of size and geography, have opportunities to take actions that will result in a measurable reduction in greenhouse gas (GHG) emissions

· establish a closer dialogue with consumers to increase awareness about the GHG emissions caused in the use and end-of-life phases of products, building towards changed consumer behaviors that reduce environmental impacts and extend the useful life of products

· current solutions and business models will not be sufficient to deliver on the current climate agenda. Fashion industry needs to embrace a deeper, more systemic change and scale low-carbon solutions

· the fashion industry stakeholders have a role to play in reducing climate emissions resulting from their operations, with an awareness that the majority of climate impact within the industry lies in manufacturing of products and materials

· all companies, within fashion, retail and the textile global value chain, regardless of size and geography, have opportunities to take actions that will result in a measurable reduction in greenhouse gas (GHG) emissions

· actions that reduce GHG emissions are consistent with, among other things, expanding economic opportunity, using resources more efficiently, driving economic competitiveness and innovation, and strengthening resilience

· responding to climate change requires action on both mitigation and adaptation

[Signatories agree to]

11. Establish a closer dialogue with consumers to increase awareness about the GHG emissions caused in the use and end-of-life phases of products, building towards changed consumer behaviors that reduce environmental impacts and extend the useful life of products;

12. Partner with the finance community and policymakers to catalyse scalable solutions for a low-carbon economy throughout the sector

Stella McCartney and friends hit Bloomberg and Vanity Fair gala dinner,” Stephanie Takyi, The Standard, 13 December 2018

Stella McCartney Slams Fast Fashion as a Threat to the Environment,” Lucca de Paoli, Bloomberg, 12 December 2018

Inside the Bloomberg Vanity Fair Climate Exchange,” VF X Bloomberg, 11 December 2018

Milestone Fashion Industry Charter for Climate Action launched,” UNFCCC, 10 December 2018

About the Fashion Industry Charter for Climate Action,” UNFCCC

Fashion Industry Charter for Climate Action,” UNFCC

Measuring Fashion, Environmental Impact of the Global Apparel and Footwear Industries Study,” Quantis, 2018

A New Textiles Economy: Redesigning Fashion’s Future,” November 2017, The Ellen MacArthur Foundation & Circular Fibers Initiative

Report: A positive vision for a system that works, and summons the creative power of the fashion industry to build it,” Ellen MacArthur Foundation

your money, your life, your choice | California, cars, CO2

California, in so many ways, could learn from the US Northeast. 

To reduce CO2 and and greenhouse gas emissions from cars, a continuing and increasing issue in California and elsewhere, cities need data—ways to accurately measure emissions, pinpoint sources, and monitor change over time; cities need to know how much CO2 they are producing and reducing.

A tool called ACES (Anthropogenic Carbon Emissions System) was developed in response to the requirement for data by researchers at Boston University and Harvard. ACES offers finely-grained maps of CO2 emissions, with a resolution of 1km2, totaled hourly.

As we know, per our atmosphere – the air, its particular mix of gaseous elements, and its temperatures, together vital to life, inclusive of human, animal, and plant – CO2 and other greenhouse gases are an issue, in many ways.

California has “targets” to meet by the year 2020 for limiting the greenhouse gases associated with the driving that people do on a daily basis. The approach to greenhouse gases associated with the driving that people do on a daily basis has a heightened level of complexity in California. Driving a car, rather than availing oneself of public transportation such as a subway, metro, or bus, is a norm that people are highly unwilling and actually afraid to examine and rethink. The many localities within the state have made limited investment in public transportation in significant part because taking such modes of transportation is largely considered to be beneath the dignity – whether personal, social, or professional – of and compromising to anybody with a sense of self esteem.

While the “hope” has been that climate emissions might be curbed largely by promoting regional planning of denser development along transit lines ( S.B. 375, the Sustainable Communities and Climate Protection Act, a landmark 2008 deal, with the California legislature recognizing the critical role of integrated transportation, land use, and housing decisions to meet state climate goals), the California Air Resources Board 2018 Progress Report released in November documents that driving of cars has skyrocketed statewide during the years following the recession of 2008 – 2009 through 2016.

A “key finding of this report is that California is not on track to meet the greenhouse gas reductions expected under SB 375 for 2020, with emissions from statewide passenger vehicle travel per capita increasing and going in the wrong direction” (page 4) and “emissions from the transportation sector continuing to rise despite increases in fuel efficiency and decreases in the carbon content of fuel” (page 5).

Top air quality officials in California state they currently have no way to fully assess whether regions from San Diego to Sacramento are on track to meet 2020 targets for reigning in greenhouse gases associated with daily driving. While “greenhouse gas emissions considered under the SB 375 program reflect carbon-dioxide (CO2) emissions only from light-duty passenger vehicles” (page 21, footnote 22), the California Air Resources Board 2018 Progress Report states, “SB 375 passenger vehicle greenhouse gas emissions reductions cannot be directly measured because greenhouse gas emissions come from many sources” (page 21).

Air board officials said that while they tracked the key metric of vehicle miles traveled, or VMT, available statewide through fuel sales, that same information wasn’t available regionally. Without that, officials say there is no consistent way to extrapolate greenhouse gas emissions from driving for each region.

There’s no unifying way to bring it all together and say ‘You’re at this particular performance metric,’” said Nicole Dolney, chief of the air board’s transportation planning branch. “Our hope was that we would have VMT data that we could rely on, but it wasn’t there.”

So what might California learn from ACES?

For cities to cut down CO2, they need to know how much they are producing and reducing. Most cities get rough estimates with “carbon calculators” that account for the size and population of a city, electricity used, and an estimate of how many cars zip (or crawl) through the city streets.

“The calculation would be fine except for all those cars. Cars are the hardest part of the emissions equation to quantify. They are moving all the time at different speeds, and there are different cars on the road at different times of day.”

“There are other factors to consider. There’s the make of the car, of course: a Toyota Prius gives off less CO2 than a Chevy Silverado. There’s also the speed; most cars give off the least CO2 when cruising in a “sweet spot” between 40 and 60 miles per hour.”

(Conor Gately, co-developer of ACES; PhD, Geography and Environment, Boston University, 2016; lead author on a study examining cities, traffic, and CO2, published in the Proceedings of the National Academy of Sciences (PNAS) in April 2015.)

ACES (Anthropogenic Carbon Emissions System) has been developed by Lucy Hutyra of Boston University and Conor Gately, now a postdoctoral associate working jointly at Boston University and Harvard. A tool for measuring and mapping CO2 emissions, ACES offers finely-grained maps of CO2 emissions, with a resolution of 1km2, totaled hourly, is relevant and could be helpful to the cities and the state of California.

Cities have the political will to change emissions, and they have policy levers to pull,” says Lucy Hutyra, a Boston University College of Arts & Sciences (CAS) associate professor of Earth and environment. And because cities are responsible for 70 percent of greenhouse-gas emissions, according to the United Nations, their actions matter. But to take effective action, cities need data—ways to accurately measure emissions, pinpoint sources, and monitor change over time. And so Hutyra and her colleague Conor Gately have developed a tool called ACES, for Anthropogenic Carbon Emissions System, that offers the finest-grained maps of CO2 emissions in the Northeastern US to date, with a resolution of 1km2, totaled hourly. The tool, funded by NASA’s Carbon Monitoring System and detailed in the October 12, 2017, issue of the Journal of Geophysical Research—Atmospheres, could provide valuable data to cities nationwide.

‘The goal was to take the finest grained, most local data possible and build a ‘bottom-up’ inventory,” says Gately. The research team started by divvying up the sources of emissions on a giant whiteboard. “We did every sector of emissions of CO2,” he says. “Roads, residential buildings, commercial buildings, industrial facilities, power plants, airports, marine ports, shipping, and railway.” The group searched for data from 2011, scouring every source they could find: city and country records, household fuel estimates, EPA databases, hundreds of traffic sensors located around New England. All of these data, when combined with the amount of fossil fuels consumed in the region (gasoline, diesel, home heating oil, coal and natural gas for power generation), allowed the team to calculate CO2 emissions for all of the major sources. The team then calculated emissions for every hour of the year.

Gately, working with a three-year, $1.5 million grant from the National Oceanic and Atmospheric Administration, is now expanding ACES to cover the entire continental United States and meeting with government, scientific, and policy stakeholders to help create a core set of methods and data products.”

DARTE might also be helpful. DARTE, the Database of Road Transportation Emissions (Conor Gately, Lucy Hutyra, Ian Sue Wing) is available for free download from the Harvard Dataverse

Funded by grants from the National Aeronautics and Space Administration (NASA), the National Science Foundation (NSF), and the Department of Energy (DOE), Gately has developed a more precise way to tally CO2 emissions from vehicles. He used 33 years of traffic data to build the Database of Road Transportation Emissions (DARTE), which displays CO2 data for the contiguous US on a finer scale than ever before—a one-kilometer grid. (He hopes to add Alaska and Hawaii later.) Available for free download, DARTE could change the way cities and states measure greenhouse gas emissions.

The science is coming together to bring us very fine measurements in a way never possible before,” says Lucy Hutyra, an assistant professor of earth and environment and a coauthor on the PNAS study. Hutyra says that DARTE complements NASA’s Orbiting Carbon Observatory 2, which is collecting global data on atmospheric carbon dioxide. “We need good bottom-up data to match what we’re measuring looking down from space. That’s what we need to really advance greenhouse gas policies.”

See:

2018 Progress Report: California’s Sustainable Communities and Climate Protection Act,” California Air Resources Board, November 2018

Regions across California likely off the hook for 2020 caps on greenhouse-gas emissions from driving,” Joshua Emerson Smith, The San Diego Union-Tribune, 27 November 2018

Poor forest management: Trump oversimplifies state’s fire problem,” Readers React, The San Diego Union-Tribune, 20 November 2018

A Fine-Tuned Map for CO2,” Barbara Moran, Boston University Research, 26 October 2017

A New Map for Greenhouse Gas,” Barbara Moran, Boston University Research, 10 April 2015

Gately, Conor, K.; Hutyra, Lucy, R.; Sue Wing, Ian, 2015, “Cities, traffic, and CO2: A multi-decadal assessment of trends, drivers, and scaling relationships“, https://doi.org/10.7910/DVN/28999, Harvard Dataverse, V6

 

Material Ecology

Brilliant, beautiful, and stylish MIT polymath Neri Oxman, coiner of the term Material Ecology and pioneer in the research discipline, observes how matter is not secondary to shape but is, rather, a progenitor to form.

Today, perhaps under the imperatives of growing recognition of the ecological failures of modern design, inspired by the growing presence of advanced fabrication methods, design culture is witnessing a new materiality. Within the last decade in both industrial design and architecture, a new body of knowledge is emerging within architectural praxis.

Examples of the growing interest in the technological potential of innovative material usage and material innovation as a source of design generation are developments in biomaterials, mediated and responsive materials, as well as composite materials. With the growing relevance of “materialization”, new frontiers of material science and digital fabrication are supporting the emergence of new perspectives in architectural and industrial design.

Thus the role of digital design research as the enabling environment of the transformation to a new age of material-based design in various design disciplines has become the cutting edge of computational design research. Here we are at the cusp of a new paradigm inspired by the Troika structure of craft, at the interaction of Materials Science, Digital Fabrication and the environment.

Material Ecology is an emerging field in design denoting informed relations between products, buildings, systems, and their environment (Oxman, 2010).

Defined as the study and design of products and processes integrating environmentally aware computational form-generation and digital fabrication, the field operates at the intersection of Biology, Material Science & Engineering, and Computer Science with emphasis on environmentally informed digital design and fabrication.”

See:

Neri Oxman, “Material Ecology.” Abstract, 21 February 2014..

Neri Oxman, Mediated Matter, MIT Media Lab People

Style | Who is Neri Oxman?,” Penelope Green, The New York Times, Style, 6 October 2018

collections care & engineered resilience

As the markets for works of art, collections care, and engineered resilience in the built environment (private collections, museums – public and private, galleries, fairs, corporate and university collections, etc.) converge, renewable energy will be a factor.

“Underlying property increases in value by virtue of the fact that positive externalities associated with the performance of the resilience investments represents a superior outcome to the status quo – even when netted out by any costs.” (Keenan et.al.)

Companies have signed long-term contracts to purchase solar and wind energy in 28 markets.

Cost declines and efficiency improvements are making renewables cost-competitive with wholesale power prices of more traditional sources of electricity.

While larger corporations are entering into corporate power purchase agreements (PPA),

smaller companies are increasingly pooling electricity demand together to access economies of scale achieved through solar and wind projects.

This is called “aggregation.”

“Aggregation” might be a workable model for entities in the art market concerned about the long-term resilience of structures and care and value of works and collections.


See: 1) Jesse M. Keenan, Thomas Hill, Anurag Gumber, “Climate Gentrification: From Theory to Empiricism in Miami-Dade County,” IOPScience, 23 April 2018; 2) “Corporations Already Purchased Record Clean Energy Volumes in 2018, and It’s Not an Anomaly,” Bloomberg New Energy Finance, 9 August 2018

 

#art #artmarket #museum #privatemuseum #collection #contemporaryart #energy #co2 #wind #solar #renewableenergy #resilience #resilienceengineering #architecture #design #engineering #NewYork #Miami #LosAngeles #London #Paris #Amsterdam #Stockholm #Oslo #Berlin #Vienna #Dubai #HongKong #Shanghai #Beijing #Tokyo #Delhi #realestate

R8 Property’s energy positive Powerhouse Telemark

Powerhouse Telemark, an energy positive (producing more energy than it consumes) 6,500-square-meter (70,000-square-foot), 11-story office building, has been commissioned by real estate developer Emil Eriksrød for the Norwegian town of Porsgrunn.

Eriksrød has commissioned the American-Norwegian architecture and design firm Snøhetta to design the building. Powerhouse Telemark is set to be completed in February of 2019.

 “The future is all about thinking big, bold, and long term,” says Snøhetta founding partner Kjetil Trædal Thorson, “and we need someone to pave the way. With its innovative solutions and design, we believe this building will inspire commercial real estate developers worldwide to push the limits of what buildings can accomplish”.

“The world needs a lot of energy-positive buildings,” observes the developer, Emil Eriksrød, CEO of R8 Property. “I hope we will be plagiarized and copied, replicated in all seven continents.”

“This building should do wonders in lowering the bar for daring to do both spectacular and environmentally forward buildings, hopefully in a combination”.


See:

Snøhetta Designs World’s Northernmost Energy Positive Building in Norway,” Patrick Lynch, ArchDaily, 18 January 2017

Snøhetta designs ‘potentially world-changing office building’ for small Norwegian town,” Amy Frearson, Dezeen, 19 January 2017

 

#powerhousetelemark #emileriksrød #r8property # snøhetta #porsgrunn #norway #design #architecture #engineering #realestatedevelopment #realestate #commercialrealestate #energy #energypositive #solar #solarenergy #co2 #resilience #luxury #art #artmarket #collections #collectionsmanagement #museums #newyork #berlin #milan #beijing #shanghai #hongkong #seoul #taipei #jakarta #singapore

art, real estate, luxury, & global risks

“Humanity has become remarkably adept at understanding how to mitigate conventional risks that can be relatively easily isolated and managed with standard risk-management approaches. But we are much less competent when it comes to dealing with complex risks in the interconnected systems that underpin our world, such as organizations, economies, societies and the environment.

“There are signs of strain in many of these systems: our accelerating pace of change is testing the absorptive capacities of institutions, communities and individuals.

“When risk cascades through a complex system, the danger is not of incremental damage but of “runaway collapse” or an abrupt transition to a new, suboptimal status quo.”

See: “The Global Risks Report 2018, 13th Edition” | World Economic Forum (WEF); Strategic Partners: Marsh & McLennan Companies, Zurich Insurance Company; Academic Advisors: National University of Singapore, Oxford Martin School, University of Oxford, Wharton Risk Management and Decision Processes Center, University of Pennsylvania

#art #artmarket #collectionsmanagement #data #analytics #risk #riskanalysis #riskmanagement #riskmitigation #climaterisk #insurance #insurancerisk #realestate #commercialrealestate #culturalrealestate  #culturalheritage #luxury #resilience #CO2

Paris floods | the Louvre, the Musée d’Orsay, & the Musée de l’Orangerie launch their Plans de Protection Contre les Inondations (PPCI)

The Louvre, the Musée d’Orsay, and the Musée de l’Orangerie have each launched their Plan de Protection Contre les Inondations (PPCI; protection plan against flooding). The Musée du Louvre has closed the lower level of its department of Islamic Arts until Sunday (28 January) as a “preventive measure” from flood damage.”

See: “Rising River Seine causes closure at Musée du Louvre” | Anna Sansom, The Art Newspaper, 25 January 2018

#Louvre #MuséeduLouvre #Muséed’Orsay #Muséedel’Orangerie #art #artcollections #collectionsmanagement #risk #riskmanagement #Paris #flooding #PPCI #PlandeProtectionContrelesInondations #museums #resilience #luxury #smartluxury #CO2 #realestate #culturalrealestate #design #engineering

art, risk management, & “rolling disasters” as the new normal

There is worry in the insurance industry that “rolling disasters” may become the new normal, the effects of climate change that many scientists believe have resulted in dryer conditions in the west coast and more intense hurricanes in the east coast. “Climate change is a great concern to the art insurance industry, particularly because of the hurricanes we are seeing,” Quinn said. Both AXA and Chubb are active in promoting research in climate change, recognizing that catastrophic natural events may prove to be an annual occurrence.

Insurers are concerned especially over works of art in private homes.

Insurers in areas such as California may seek to limit their risks. The extent of the damage in regions of California affected by the recent wildfires, for instance, may well increase the cost and limit the availability of fine art insurance.

See:

As Natural Disasters Loom, What You Should Know About Insuring Your Art” | Daniel Grant, The Observer, 18 January 2018

#art #artmarket #collections #collectionsmanagement #insurance #fineartinsurance #climaterisk #risk #riskmanagement #fire #wildfire #hurricanes #flooding #risingseas #luxury #smartluxury #resilience #realestate #CO2 #H2O

global investment in renewable energy & energy-smart technologies

Annual figures from Bloomberg New Energy Finance (BNEF) show that global investment in renewable energy and energy-smart technologies reached $333.5 billion last year, up 3% from a revised $324.6 billion in 2016, and only 7% short of the record figure of $360.3 billion, reached in 2015.

Chinese investment in all the clean energy technologies was $132.6 billion, up 24% setting a new record. The next biggest investing country was the U.S., at $56.9 billion, up 1% on 2016.

Solar led the way, as mentioned above, attracting $160.8 billion – equivalent to 48% of the global total for all of clean energy investment.

Wind was the second-biggest sector for investment in 2017, at $107.2 billion. Down 12% on 2016 levels.

The third-biggest sector was energy-smart technologies, where asset finance of smart meters and battery storage, and equity-raising by specialist companies in smart grid, efficiency, storage and electric vehicles, reached $48.8 billion in 2017, up 7% on the previous year and the highest ever.

See:

Runaway 53GW Solar Boom in China Pushed Global Clean Energy Investment Ahead in 2017” | Bloomberg New Energy Finance, 16 January 2018

#cleanenergy #renewableenergy #energy #finance #solar #wind #energy-smarttech #tech #investments #luxury #smartluxury  #realestate #commercialrealestate #resilience #CO2

 

 

 

Southern California collections management: fire rescue & restoration

Fueled by seasonal winds and dry conditions, Southern California’s Thomas Fire has become the largest, in terms of acreage, since 1932 when reliable recording began. State officials are saying that the 2017 fire season has been the most destructive that people in state have seen.

As of the Vanity Fair December 20 publication of Jane Borden’s article “In Southern California, Even the Art Has a Fire Rescue Plan,” the Thomas Fire had destroyed about 800 homes, nearing Santa Barbara, Montecito, and Ojai, collectively home to the Museum of Contemporary Art Santa Barbara, the Santa Barbara Museum of Art, working artists, art collectors, and celebrities.

On the evening of December 4, artists living in Ojai had no time to pack up their work before evacuating. Those with studios in Ventura spent evenings sleeping beside their work.

Works from four collections were moved to purified, closed rooms at the MCASB.

The Santa Barbara Museum of Art, with van and crew ready at short notice, safeguarded works of art, valued at millions of dollars, retrieved from homes in the area.

The Conservation Center of Chicago is described as the “most prepared art-rescue team working in Southern California” during the fire.

As the air quality was rendered “really bad” by the Thomas Fire, teams from The Conservation Center rotated every four or five days. Works of art that were not damaged were stored in a safe location in Los Angeles. Works with minor damages were restored locally. More damaged works of art were shipped to Chicago for full restoration.

An industry leader in rescuing works of art after disasters such as fires or floods, The Conservation Center brings over 30 years of experience caring for individual, private, and public collections.

In addition to restoration and packing and shipping services, The Conservation Center in Chicago specializes in disaster response. The Center’s national clients include corporations, museums, nonprofits, and private collectors, and the response team is trained to triage a variety of situations, most notably flood and fire. This year alone, the 36-person team has responded to hurricane damage in Houston and Miami, and rescued or restored 1,350 works from a Georgia museum damaged by a tornado. Now, the fires. “I’ve been with the company for 29 years, and this is definitely unprecedented, to have these things happening so closely together,“ explains Heather Becker, C.E.O. of The Conservation Center.”

See:

Thomas Fire is Now California’s Largest Wildfire in History” | Doreen McCallister, NPR, 23 December 2017

In Southern California, Even the Art Has a Fire Rescue Plan” | Jane Borden, Vanity Fair, 20 December 2017

The Conservation Center

#art #SouthernCalifornia #ThomasFire #SantaBarbara #Montecito #Ojai #MuseumofContemporaryArtSantaBarbara #MCASB #SantaBarbaraMuseumofArt #SBMA #conservation #rescue #restoration #artcollections #collectionsmanagement #CO2 #luxury #smartluxury #design #architecture #engineering #fireresistance #TheConservationCenter #Chicago #resilience #health #wellness#realestate #culturalrealestate #culturalheritage